Hazel Hall (1886 – 1924) was an American poet born in Saint Paul, Minnesota on February 7, 1886, and raised in Portland, Oregon. She is often described as the “Emily Dickinson of Oregon” due to her introspective and lyrical poetry, as well as her reclusive lifestyle. Hazel’s work often explored themes of nature, beauty, and the inner world of emotions. Her poetry received recognition for its depth and imagery, contributing to the literary landscape of the Pacific Northwest during the early 20th century.
When Hazel Hall was 12 she fell ill with scarlet fever which led to a disability that required the use of a wheelchair for the rest of her life. Her resilience in the face of adversity was truly remarkable. Despite her physical limitations, she channeled her creativity and talent into the art of sewing. The exquisite craftsmanship of her embroidered linens and garments not only provided her with a means of livelihood but also earned her recognition and appreciation within Portland’s social circles.
This is a testament to Hazel Hall’s determination and artistic skill, as she found a way to thrive in her circumstances.
Hazel’s sister, Ruth, a librarian in the Portland School District, played a pivotal role in fostering her love for literature and poetry. Ruth’s regular borrowing of books for Hazel exposed her to a wide array of literary works, including classics and scientific literature. However, it was poetry that captured Hazel’s heart, becoming a passion that she pursued with great fervour. Among her favorite poets were the likes of Emily Dickinson, whose work had a profound influence on her, as well as acclaimed poets such as Robert Frost and Edna St. Vincent Millay. This early exposure to diverse literary influences laid the foundation for Hazel’s own remarkable journey as a poet and writer.
Hazel Hall’s Literary Recognition
Hazel Hall’s poetic talent garnered widespread recognition, with her work gracing the pages of esteemed publications including The Century Magazine, Harper’s Magazine, The New Republic, The Nation, Yale Review, and Literary Review.
Notably, in 1920, critic William Stanley Braithwaite honored Hazel’s poem “Three Girls” as one of the five best poems of the year, further solidifying her reputation as a distinguished poet in literary circles.
Through her poetry and artistic endeavors, Hazel Hall left a lasting impact, and her life story serves as an inspiration to many. Her legacy continues to resonate, making her a figure deserving of renewed recognition and admiration.
“Three Girls” by Hazel Hall
Three school-girls pass this way each day:
Two of them go in the fluttery way
Of girls, with all that girlhood buys;
But one goes with a dream in her eyes,
Two of them have the eyes of girls
Whose hair is learning scorn of curls,
But the eyes of one are like wide doors
Opening out on misted shores.
And they will go as they go to-day
On to the end of life’s short way;
Two will have what living buys,
And one will have the dream in her eyes.
Two will die as many must,
And fitly dust will welcome dust;
But dust has nothing to do with one —
She dies as soon as her dream is done.
The poem “Three Girls” depicts the contrasting paths of three schoolgirls as they navigate through life. It portrays the dreams and aspirations of one girl set apart from the others, emphasizing the idea of pursuing individual dreams and the potential hardships that may accompany such pursuits. The poem reflects on themes of resilience, determination, and the significance of following one’s unique aspirations, despite societal expectations. “Three Girls” underscores the lasting impact of the choices individuals make and the distinct outcomes that may result from these choices. Overall, the poem serves as a reflection on the complexities of human ambition and the diverse trajectories that unfold in the journey of life.
Music by Epidemic Sound
David Celeste “Planting the Seeds” https://www.epidemicsound.com/track/IBlGXBtUbu/
The poems I've read of hers I've liked. I should read more of her work.